STEFANIA REDAELLI, (Piano) Graduated with top marks at the Milan Conservatory under the guidance of Ernesto Esposito, she also studied with Bruno Canino, Murray Perahia, Paolo Borciani (Italian Quartet), Dario De Rosa and Norbert Brainin (Quartetto Amadeus). Assistant to the courses of Salvatore Accardo, Rocco Filippini, Franco Gulli, Yo-Yo Ma, Victor Tretiakov, Lucas Hagen, Asier Polo and Boris Belkin (Chigiana academy, Stauffer Cremona foundation, Garda Lake Music Festival ...). Professor of chamber music at the Conservatory of Vicenza and professor of piano at the Academy of High Specialization in Sacile. She has recorded for Warner, Warner-Fonit Cetra, Dynamic, Brilliant, Stradivarius, Ricordi and Bottega Discantica, in this last cd also as director. As a soloist she has performed with the orchestras of the Milan RAI, Pomeriggi Musicali and the Angelicum of Milan, with the San Remo Symphony Orchestra and the Chamber Orchestra of Padua. He has played with internationally renowned musicians including Salvatore Accardo, Mario Brunello, Massimo Quarta, Sergej Krilov, Lucas Hagen, Cecilia Bartoli, Bruno Giuranna, Domenico Nordio, Marco Rizzi, Fabrizio Meloni, Danilo Stagni, Edoardo Zosi, Antony Pay, Rocco Filippini, Alain Meunier, Victor Tretiakov, Sonig Tchakerian, in prestigious theaters and associations such as the Teatro alla Scala in Milan, Schauspielhaus in Berlin, the Teatro San Carlo in Naples, the Regio in Parma, the Ponchielli in Cremona, the Bibiena in Mantua, The Stresa Festival, the Unione Musicale of Turin, the Milan Musical Evenings, the Venice Biennale, the MITO Festival, the Radio3 Concerts (Concerts at the Quirinale, Radio3 Suite), at the IUC in Rome, the Chigiana Academy in Siena, Wigmore Hall of London, Boston Symphony Hall, the Glinka Museum in Moscow, Cemat Resit in Istanbul, the University of Singapore ..... She has been playing piano duo with Maria Grazia Bellocchio since 1980.

Course objectives: Students from middle and advanced level conservatories are invited, already formed chamber groups, graduates or graduates who aim to deepen their knowledge and possibly prepare themselves to continue their post-diploma studies. Students will be able to deepen the study of solo and chamber compositions, enrich their repertoire, confront themselves with the problems of interpretation and safeguarding the style of musical epochs, relying on the search for appropriate technical means to express themselves at best. The course aims to deepen the technical and expressive knowledge of the instrument.

ALESSANDRO COMMELLATO, (Piano, Fortepiano) He studied in Milan with Carlo Vidusso and perfected his studies with Pier Narciso Masi, Evgeny Malinin and Sergio Fiorentino. He won numerous competitions, such as Rendano of Roma, Città di Stresa, Cidad de Oporto, Schubert of Dortmund. It performs as a soloist with the Orchestras of the Teatro alla Scala in Milan, the Fenice Theatre in Venice, Philharmonic in Prague, the Academic Philharmonic in St. Petersburg, Philharmonic in Omsk, Philharmonic in Odessa, National Moldava, Zagreb Radio, Bacau Philharmonic, Premiere Krasnodar Orchestra, "Only Natural" in Bratislava, Verdi in Milano, Symphonic Toscanini in Parma, Milan Classical, etc. With Divertimento Ensemble, he performed contemporary works of Nono, Kagel, De Pablo, Bussotti, Donatoni, Guarnieri, at Mozarteum in Salisburgo, Auditorium Nacional in Madrid, Musica nel nostro Tempo in Milano, Autunno Musicale in Como, Biennale of Venezia, Amici della musica of Palermo. He performed a series of concerts in Usa, Russia, Giappone e Australia. He was invited as a soloist of the Teatro alla Scala for “Cherì”, “Autour de Chopin”, "Coro di Morti" by Petrassi. At the Theater La Fenice of Venice he is soloist in Medea by ​​Adriano Guarnieri. He performed with Siegfrid Palm, Hans Deinzer, Franco Maggio Ormezowski, Sergio Azzolini, Simone Bernardini, Andreas Willwohl, Isang Enders, David McCrol, Atalanta Fugiens, etc. He dedicated himself to the interpretation on historical keyboards and he is invited to the Bremen Festivals, Lausanne, Lugano, Verbier, Innsbruck, Aix en Provence, Mulhouse, Bratislava, Lockenhaus, Helsinki, Urbino. He recorded Rossini's Pèéss de Vieillesse, Quintetti, Settimini and concerts by J.N.Hummel, Sonate by F. Ries, the full Beethoven’s variations Woo. He recorded for Rai: "Kennst du Das Land", "Alma Brasileira" dedicated to H. Villa Lobos, "Mozart and Rossini", Babar by Poulenc. He collaborated with B. Giuranna, S. Accardo and R. Filippini at the Cremona Academy Stauffer. He is a piano professor at the "G.Verdi" Conservatory in Milan.

Course objectives: The masterclass is aimed at students of middle and advanced level conservatories, graduates who aim to deepen their knowledge. Students will be able to deepen the study of solo and chamber compositions, enrich their repertoire, confront themselves with the problems of interpretation and safeguarding the style of musical epochs, relying on the search for appropriate technical means to express themselves at best. The course aims to deepen the piano repertoire and the technical-expressive analysis of the interpretation will in particular deal with the sound technique also in relation to the correct use of the means used for its production, also with the use of instruments of era. Piano repertoire will be performed on modern and historical instruments, focusing on style, philological approach and specific technical skills. Piano concertos will be performed in chamber version, with the strings of the Meeting Orchestra. Students will have the opportunity to play in public concerts during and after the masterclass. The lessons will take place on a modern Steinway grand, 1825 J. Broadwood fortepiano and on a romantic Pleyel of 1849.

LUCA BRAGA, (Violin) He graduated from the G. Verdi Conservatory in Milan. He specialized with F.Cusano and later with Z.Gilels, A.Brussilowski, M.Jokanovich attending courses, seminars or masterclasses and always getting scholarships and merit. For chamber music he improved with M. Sirbu for the sonatist repertoire and with F. Rossi for the string quartet, always awarded with scholarships or awards of merit. He has won numerous prizes and awards in national and international competitions for chamber formations. He currently holds the chair of chamber music at the G. Verdi Conservatory of Milan. He has been a guest of prestigious concert associations as a soloist or in chamber ensembles in Italy, Austria, Switzerland, France, Spain, Great Britain, Czech Republic, Germany, Luxembourg, Poland, Portugal, Sweden, Finland, Africa, South America, China and Japan. In duo with Lucia Pittau she recorded the complete work of G. Martucci and G.Sgambati for violin and piano (ed. Tactus), and many other recordings or radio recordings. He has worked with important Italian orchestras. Since 2000 he has been a member of the Mantua Chamber Orchestra, and he is the first violinist of the Mantua Chamber Orchestra quartet with which he performs intense chamber music and regular concert activity in Italy and abroad. In 2002 he was invited by Enrico Dindo to be part of the Solisti di Pavia formation with which he still collaborates regularly. He is often invited to join the jury in National Competitions for musical performance for young musicians.

Course objectives: Students from the initial, middle and advanced level conservatories are invited, graduates who aim to deepen their knowledge. Students will be able to deepen the study of solo and chamber compositions, as well as work on the specific orchestral passages of their instrument. Analysis, study methods and learning of the violin repertoire will also be studied in depth.

Junior Master: It is an original recreational-educational initiative dedicated to children aged 6 and up or beginners. The Junior Masterclass was born with the aim of teaching young people the beauty of aggregation, sharing, working on the same goal, trusting one another, all in a fun and constructive way. Under the patient and expert guidance of the teacher, the children will experience the joy of deepening the study of their instrument with individual and group lessons and playing with others, coming closer to the experience of ensemble music in joy. Participants in the Junior Masterclasses will also be the protagonists of a matinee of the Meeting.

DAVIDE ZALTRON, (Viola, Violin)  He is one of the most active professors of viola: his Conservatory class has been the most conspicuous in Italy for many years, with graduates who in the last twenty years have won most of the competitions and auditions at orchestras. He graduated in violin with Sonig Tchakerian and in viola with Bruno Giuranna (for many years at the Accademia Stauffer) and Armando Burattin. In addition to lessons with Accardo, Brunello, Carmignola, Filippini and Gulli, he attended chamber music courses with Asciolla, Borciani, F. Rossi and with the Trio di Trieste (three-year diploma). Soloist and above all chamber musician in 23 countries, he was first viola in more than 50 orchestras. He has played chamber music with Bacchetti, Brunello, Canino, Clevenger, Dindo, Kuijken, Nordio, Patyra, Piovano, Polverelli, Rabaglia, Redaelli, Rogliano, D. Rossi, Sollima, Trio Italiano, Vernikov ... In the context of philological execution he played as first viola with the Barocchisti of Lugano, the Academia Montis Regalis, the Baroque Complex, the Baroque Orchestra of Bologna, the Art of the Arc ... He recorded CDs and DVDs for Decca, Warner Classic, EMI, RCA Records, Fonit Cetra, Naxos, Brilliant, Amadeus, Bottega Discantica, Foné, Paragon, Velut Luna ... Among the most recent commitments: he has played (also in the first performance) the Concerto for viola and the Concertante for viola and cello (with Julius Berger) by Giovanni Bonato, recorded and participated as first viola in the European Tour of "Mission" with Cecilia Bartoli, has recorded numerous Quintets by Boccherini with Luigi Puxeddu (Boccherini Edition) and Vivaldi's Harmonic Estro with Federico Guglielmo's Art of the Arc (Vivaldi Edition); he played (first viola) the Third and the Sixth Brandenburgese with Sonig Tchakerian and Giovanni Sollima.

Course objectives: Students of middle and advanced level conservatories are invited, graduates or graduates who aim to deepen their knowledge and possibly prepare themselves to continue their post-diploma studies. Students will be able to deepen the study of solo and chamber compositions, enrich their repertoire, confront themselves with the problems of interpretation and safeguarding the style of musical epochs, relying on the search for appropriate technical means to express themselves at best.

LUCA SIMONCINI, (Cello) He graduated with honors and special mention at the A.Boito Conservatory of Parma, under the guidance of Maestro F. Rossi, who also attended Chamber Music Courses at the Conservatory of Florence. He has been invited to participate in important events and has performed in various theaters, including La Scala in Milan. He has worked as a soloist, with I Solisti Veneti, the New Virtuosos of Rome and the Moscow Soloists on tournees that ranged from Europe to Japan. He has collaborated with numerous artists: PNMasi, B. Wolf, D. Nordio, M.Quarta, M.Rizzi, S.Pagliani, P. Vernikov, C.Giuffredi and A.Pay, D.Rossi, E.Dindo and M .Brunello as well as with the Borodin Quartet, with maestro G.Sinopoli, with the Mozart Orchestra conducted by Maestro C.Abbado and with actress L.Maglietta in a successful show dedicated to the composer R.Schumann. Since 1980 he is professor of cello at the F.Venezze di Rovigo Conservatory. He is invited as a member of the Judging Commissions of National and International Competitions of Chamber Music and Cello. He plays on an instrument of 1737 by Gregorio Antoniazzi that belonged to Gaspar Cassadò. From the foundation he is cellist of the New Italian Quartet, with whom he performed throughout Europe, Japan, the United States and the Soviet Union, deserving extensive recognition. For the recordings he received the highest awards from the specialized critics: Golden Star, Diapason d’or, Choc du Monde de la Musique, Prestige, Grand Prix du Disque with Claves, Emi, Adda, Nuova Era.

Course objectives: The masterclass is aimed at young musicians. Students of middle and advanced level conservatories are invited, graduates or graduates who aim to deepen their knowledge and possibly prepare themselves to continue their post-diploma studies. Students can deepen the study of solo and chamber compositions, enrich their repertoire, confront themselves with problems of interpretation, deepening the technical and expressive knowledge of the instrument.

GERGELY JÁRDÁNYI, (Double Bass) He is one of the most popular double bass players in the world, born in Budapest in a family of musicians. After studying at the Ferenc Academy of Music Liszt in Budapest enrolled in the L.Streicher class at the Vienna Academy of Music where in 1987 he obtained his diploma with the highest marks and honors. Since then he began his international career as a soloist and collaborator in various chamber ensembles (Alpe Adria Ensemble, I Virtuosi Hungarians, UMZE, etc.) which took him to many centers in Europe, America and Asia. he is also part - as the first double bass - of several important symphony orchestras. He is a member of a jury in international competitions and holds master classes. For twenty years he is a tenured professor at the Ferenc Liszt Academy of Music, and currently teaches at the Vicenza Conservatory. His students are winners of several national and international competition awards and play in the best European orchestras. His commitment in favor of Bottesini finds the maximum evidence in the most recent projects: the recording of all the music of the nineteenth-century master in six CDs for the Hungaroton record company and the publication of all the basses for the Akkord publishing house. In 2003 he was awarded the Liszt Prize, one of the highest Hungarian state awards, reserved for artists.

Course objectives: The course aims to address the study of the instrument in the solo and chamber repertoire with attention to technique, sound, approaching. to a repertoire often little practiced. It is aimed at young musicians. Students of middle and advanced level conservatories are invited, graduates or graduates who aim to deepen their knowledge and possibly prepare themselves to continue their post-diploma studies. 

GIANNINO FASSETTA, (Accordion) He begins the study of the accordion at the age of six. He follows the specialization courses with the Masters F. Lips and W. Zubintskj. Ranked in fifteen national and international competitions, he participates in recordings for Rai TV, regional and foreign networks. He carries out intense concert activity in Italy and abroad (Argentina, Austria, Canada, France, Germany, Japan, Pakistan, Portugal, Czech Republic, Romania, Slovenia, Spain, Sweden, Switzerland and Hungary). Thanks to a recognized interpretative versatility, he collaborates steadily with internationally renowned artists in various formations: from Kaleiduo to Remo Anzovino Trio. In 2009 he participated in the musical projects of Maestro Nicola Piovani. He records the CD "Evocations" with his own music on texts by the poet Giuseppe Malattia della Vallata and the CD "Reflejo" on the production of Astor Piazzolla. In 2000 for the soundtrack of the film "Vajont" by Renzo Martinelli he composed two tracks for accordion and string quartet, now published by the record company Sugar Music of Milan. His sensitivity and style are appreciated by contemporary composers, such as the Trieste-born Daniele Zanettovich, who dedicated ad hoc accordion writing to him. Since 2011 he has also been engaged as artistic director of the Fadiesis Accordion Festival, organized by the Musical Association "Fadiesis" between Pordenone and Matera.

Course objectives: Students of initial, middle and advanced level are invited, who aim to deepen their knowledge by deepening the study of solo and chamber compositions, but also to amateurs with no scholastic purposes in the immediate future or to graduates with further education. Analysis, study methods and learning of the accordion repertoire will also be studied in depth.

STEFANO VIOLA, (Guitar) He was born in 1960. His parents were both musicians and at only eighteen he graduated at the Conservatoire with full marks and honours. After that, he spent four years in Milan, studying under Maestro Ruggero Chiesa and attending high specialization courses held by Oscar Ghiglia in Gargnano (Lombardy, Italy) and the Musical Academy Chigiana in Siena. He held solo and orchestra concerts in and outside Italy, winning prestigious national and international competitions. He was founder and teacher at the Guitar Academy “Francisco Tárrega” in Pordenone. His students have won more than one hundred awards in the most important national and international competitions. These achievements make Maestro Viola one of the most important Conservatoire teachers of his generation. For many years he has been committing himself to studying all technical and mechanical aspects of guitar playing. He has also been invited to hold conferences and Master-class courses in several guitar festivals across Italy, as well as in Slovenia, Croatia, Czech Republic, Mexico, Austria and Spain. Some of his contributions have been published in the journal Il Fronimo (Milan). He developed and coordinated an important research project called “Postural and functional biomechanical analysis of a guitarist’s body”. He wrote two volumes on guitar playing techniques published by the publishing house Edizioni Musicali Sinfonica.

Course objectives: Students of initial, middle and advanced level conservatories are invited, graduates or graduates who aim to deepen their knowledge and possibly prepare themselves to continue their post-diploma studies. Students can deepen the study of solo and chamber compositions, enrich their repertoire. Elements of mechanical technique, performance practices and the history of the instrument will also be addressed.

MARIO ZANETTE, (Orchestra) He started his clarinet study at a very young age, graduating brilliantly at the F.E.Dall'Abaco University of Verona. From a very young age he devoted himself to the chamber and solo repertoire, giving recitals for numerous Concert Societies in Italy and abroad performing in the most renowned theaters and concert halls in numerous Italian and foreign countries such as the United States (Metropolitan), Canada (Canadian Opera Company), France, Switzerland, Austria, Egypt, Sweden and Pakistan. He has played the role of first clarinet in numerous and important orchestras and in various chamber ensembles. He is the founder and member since 1983 of the Clarinet Quartet "Ensemble Serenissima", with which he has won numerous first prizes in prestigious international competitions. At the same time he dedicated himself to teaching clarinet and conducting. He was the permanent director of orchestral formations in Italy and abroad (Slovenia). Always attentive to the education of young people, he was the creator, promoter and artistic director of numerous initiatives dedicated to them. Thanks to his professional preparation, passion and constant commitment, he has been able to bring the La Serenissima Orchestra, which he founded, to win numerous prestigious prizes in national and international competitions and to acquire an international reputation with tours in various countries, from Europe, to the United States, from South America to Asia. He was invited by various Institutes and Association to give lectures on didactics and musical aesthetics and took part, as a juror, in numerous national competitions. He has collaborated and collaborates with internationally renowned soloists. He also took care of the history of music in Friuli Venezia Giulia in the series of volumes dedicated to the arts in the region published by the publishing house Agenzia Libraria of Monfalcone. For over thirty years he has been president of the Cultural Association of the Serenissima Ensemble of Sacile, active in the promotion, dissemination and musical education.

Course objectives: The orchestral music workshop will focus on the analysis and study of original pieces for string orchestra and symphonic orchestra from the Baroque to the twentieth century. It will also be an opportunity to tackle contemporary music with the study of the winner of the IV International Composition Prize SEM 2019 and its premiere performance during the symphonic concert of the Meeting. The laboratory is purely practical.